{"id":4356,"date":"2021-10-20T18:35:00","date_gmt":"2021-10-20T16:35:00","guid":{"rendered":"http:\/\/quasideluxe.de\/?p=4356"},"modified":"2022-01-04T19:00:15","modified_gmt":"2022-01-04T18:00:15","slug":"fop-sinfonieorchesterporchesterprojekt","status":"publish","type":"post","link":"https:\/\/www.quasideluxe.de\/?p=4356","title":{"rendered":"FOP &#8211; Sinfonieorchesterporchesterprojekt"},"content":{"rendered":"\n<p>1.-3.10.2021 mit Werkstattauff\u00fchrung<\/p>\n\n\n\n<p>Unter der Leitung von Mary Ellen Kitchens spielte das FOP 2021 Werke von Komponistinnen aus 4 Jahrhunderten:<\/p>\n\n\n\n<p>Maria  Theresia Paradis (1759-1824, \u00d6sterreich) &#8211; Ouvert\u00fcre zu Der Schulsoldat (1792)<\/p>\n\n\n\n<p>Louise Farrenc (1804-1875, Frankreich) &#8211; 3. Sinfonie (1849)<\/p>\n\n\n\n<p>Ina Boyle (1889-1967, Irland) &#8211; The Wild Geese (1942)<\/p>\n\n\n\n<p>Chen Yi (*1953, China) &#8211; &#8222;Tone Poem&#8220; (2012)<\/p>\n\n\n\n<p>Gabriela Ortiz (1964, Mexiko) &#8211; &#8222;Papalotes&#8220; (*2018)<\/p>\n\n\n\n<p>Pandemiebedingt spielte das FOP 2021 in Kammerorchesterbesetzung (immerhin 35 tolle Musikerinnen) und ich war mit dem Kontrabass dabei:-) Insgesamt ein starkes Programm, das viel Spa\u00df gemacht hat einzustudieren.<\/p>\n\n\n\n<p>Infos unter: <a href=\"https:\/\/frauenorchester.de\/\" data-type=\"URL\" data-id=\"https:\/\/frauenorchester.de\/\" target=\"_blank\" rel=\"noreferrer noopener\">www.frauenorchester.de<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>1.-3.10.2021 mit Werkstattauff\u00fchrung Unter der Leitung von Mary Ellen Kitchens spielte das FOP 2021 Werke von Komponistinnen aus 4 Jahrhunderten: Maria Theresia Paradis (1759-1824, \u00d6sterreich) &#8211; Ouvert\u00fcre zu Der Schulsoldat (1792) Louise Farrenc (1804-1875, Frankreich) &#8211; 3. Sinfonie (1849) Ina Boyle (1889-1967, Irland) &#8211; The Wild Geese (1942) Chen Yi (*1953, China) &#8211; &#8222;Tone Poem&#8220; &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.quasideluxe.de\/?p=4356\" class=\"more-link\"><span class=\"screen-reader-text\">\u201eFOP &#8211; Sinfonieorchesterporchesterprojekt\u201c<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4356","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.quasideluxe.de\/index.php?rest_route=\/wp\/v2\/posts\/4356","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.quasideluxe.de\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.quasideluxe.de\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.quasideluxe.de\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.quasideluxe.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4356"}],"version-history":[{"count":3,"href":"https:\/\/www.quasideluxe.de\/index.php?rest_route=\/wp\/v2\/posts\/4356\/revisions"}],"predecessor-version":[{"id":4359,"href":"https:\/\/www.quasideluxe.de\/index.php?rest_route=\/wp\/v2\/posts\/4356\/revisions\/4359"}],"wp:attachment":[{"href":"https:\/\/www.quasideluxe.de\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4356"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.quasideluxe.de\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4356"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.quasideluxe.de\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}